The Nasser brothers’ third feature is a tragicomic Rube Goldberg machine of cultural resistance and farcical coincidence.

Théodore Pellerin and Archie Madekwe elevate an otherwise serviceable thriller that falls short of the sum total of its paradigmatic influences.

Jessica Chastain reunites with Mexican cinema’s enfant terrible for a furious and frothing examination of the cross-sections between race, social class, and power.

Acclaimed documentarian Joshua Oppenheimer’s surprise pivot to fictional narratives is unforgivably flaccid and ham-handed; a far cry from his past work.

Chuckles may be thin on the ground here, but the Romanian auteur’s pivot from satire to social realism is a most welcome change.

Despite its technical competence, Kelly Reichardt’s parable against upper-class hubris is as aimless as its leading man’s thousand-yard stare.